Xtina - dirrty girl

02.10.2012., utorak

Your body - video



iTunes_ Your body
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03.11.2011., četvrtak

Glee - Candyman


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2011 World Hunger Relief

Christina Aguilera pjeva a capella verziju "Twinkle, Twinkle, Little Star" u World Hunger Relief kampanji. Twinkle, Twinkle, Little Star" je popularna pjesmica za djecu...



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02.11.2011., srijeda


When Christina Aguilera was six years old, she would escape the chaos and trauma of her family by thinking of Julie Andrews singing “The Sound of Music.” “I watched her twirl around those mountains, and she was just so free,” Aguilera recalled when we met to talk about her nightmare tabloid year of divorce, flubbed lyrics, falls on national television, winding up in the wrong bed, and (finally) triumph. “I felt caged by my childhood. And unsafe: Bad things happened in my home; there was violence. The Sound of Music looked like a form of release. I would open my bedroom window to sing out like Maria. In my own way, I’d be in those hills.” Aguilera paused. She is small and, as she spoke, was nearly swallowed by a large, overstuffed couch in the lobby lounge of the Mandarin Oriental hotel in Manhattan, where she was staying. Aguilera looked more “Oliver” than von Trapp—she was dressed like an urchin in a large gray sweater and black leggings, and her bright yellow hair was barely visible under a sideways schoolboy cap. Her skin was pale; she was not wearing her trademark red lipstick but, as a kind of concession to girlishness, had on sky-high platform stripper heels. “Sometimes,” Aguilera continued, “especially in the last six months, I still feel like going to the window and singing out all my troubles.” She looked down, laughed quietly, and shook her head a little. “I laugh a lot lately. People expect me to cry, but I always laugh when things go wrong.”
For Aguilera, who is 30, things started to go seriously haywire sometime around June 2010 when her album Bionic was released. Although she has sold more than 30 million records worldwide, won four Grammy Awards, and been a star since age 12, when she ­appeared on The Mickey Mouse Club (alongside Justin Timberlake and her then best friend, Britney Spears), Aguilera’s audience did not respond to Bionic’s fusion of hip-hop beats, disco rhythms, and nonmelodic vocals. There were no compelling sob-inducing anthems like “Beautiful,” Aguilera’s signature song, an empowerment ballad from 2002 that speaks to the proud but wounded bird within us all. Instead, Bionic ventured into new territory: Its techno-fueled sound didn’t utilize Aguilera’s greatest strength, her soaring, multioctave voice. Instead, she seemed to be trying too hard to be hip—to be current rather than classic. “It’s an artistic swerve,” Jon Pareles wrote about Bionic in The New York Times. He dismissed Aguilera’s attempt at reinvention, describing her new ­incarnation as a “one-dimensional hot chick chanting come-ons to club beats.”
While Aguilera once owned the little-girl-with-the-big-voice pop-star niche, with Bionic, she willfully entered the land of Lady Gaga. In the press, she pretended not to care or notice. “Oh, the newcomer?” Aguilera told reporters when asked about Gaga. “This person was just brought to my attention not too long ago. I’m not quite sure who this person is, to be honest. I don’t know if it is a man or a woman.” Despite her feeble claims to confusion over Gaga’s gender and her uncharitable reluctance to give her credit, the video for “Not Myself Tonight,” ­Bionic’s first single, had eerily similar tableaux to Gaga’s smash video “Bad Romance.” Image for S&M image, they matched up. Old fans of Aguilera’s weren’t intrigued by her revamped identity, and new fans didn’t materialize. As the album sputtered, her 20-city summer tour didn’t sell and was canceled, at a cost of millions. There were rumors that her record company wanted to drop her. Things were not good.
By October 2010, the true decline began: ­Aguilera announced that she was leaving her husband of five years, music producer Jordan Bratman, with whom she has a three-year-old son, Max. Marriage had seemed to calm Aguilera down—in articles, she bragged about her sex life with her husband, claiming that they liked to frolic naked around their 11,500-square-foot mansion in Beverly Hills. “At one time or another,” ­Aguilera told me, hinting at affairs on both sides, “we were both not angels. It got to a point where our life at home was reminding me of my own childhood. I will not have my son grow up in a tension-­filled home. I knew there would be a negative reaction in the press to my divorce, but I am not ­going to live my life because of something someone might say. That goes against everything I sing on my records. I have to be myself.”
Soon it became clear that Aguilera had fallen in love with another man—Matt Rutler, a 25-year-old musician/­production assistant. The couple met on the set of Burlesque, Aguilera’s first film, which was released just before last Thanks­giving. The movie would seem to have been tailor-made for Aguilera: the story of a talented, wide-eyed singer who escapes her abusive past in small-town America and seeks her fortune in Los ­Angeles at a nightclub. If you made the twentysomething protagonist a small child, that was Aguilera’s ­career path: She began performing in the first grade and signed her first record deal at 13. By 19 she had a platinum album and was touring the world. “I was like a rocket that got shot out of a gun,” she told me.
By all accounts, Burlesque was a tumultuous set: Steve Antin, the first-time director, and Clint Culpepper, the head of the studio, were longtime boyfriends who clashed and almost broke up over the movie. Their fights were loud, constant, and often physical. During one skirmish, Culpepper reportedly poured an iced tea over Antin’s head.
“There was a lot of incestuous energy in that movie,” Aguilera ­recalled. “And it was very hard to be in the center of all that. A lot was riding on the film, and I bore the brunt. I was like, ‘Hey, stop fighting—this is my career.’”
Burlesque, which cost $55 million, did not provide an antidote to ­Bionic: The film fizzled at the box office. Although it’s rare for a pop star to have success in musicals (for every Diana Ross in Lady Sings the Blues there’s a Mariah Carey in Glitter), Burlesque was a major disappointment for Aguilera. “I was sad, but I’m still glad that I did the movie,” she said. “During production, I was going through a lot of self-discovery. As a quote-unquote pop star, you have your entourage with you at all times. When you enter and leave a place, backstage, even at home—you always have your team. On the movie set, I didn’t have anyone around me. And it felt good. When I first met my husband, I needed that ­helping hand to take the reins and look after me. After the movie, I grew out of being that little girl: I became more of an adult.”

And yet, when I asked Aguilera what had attracted her to Rutler, she conceded, “I could depend on him for everything. Matt was working on the movie, and he was so supportive. And he still is. We’ve been through a lot in the past year.” Rutler, who rarely leaves Aguilera’s side, is handsome, boyish, and polite, but he has also been something of a bad-luck charm—in the last year, when he’s been her date for big events, things seem to go terribly wrong. In February the couple attended the ­Super Bowl together in Dallas, where Aguilera was set to sing “The Star-Spangled Banner” before the game. As a child sensation, she had performed the national anthem dozens of times for her local Pittsburgh teams—the Penguins (hockey), the Pirates (baseball), and the Steelers (football). “Everything on the field at the Super Bowl was vividly bright, and I was having a moment,” Aguilera recalled. “I got lost in the emotion of being there and I messed up the lyrics to the song.” Instead of singing, “O’er the ramparts we watch’d were so gallantly streaming,” she belted out, “What so proudly we watched at the twilight’s last reaming.”
Her improvised line made instant headlines. “I knew the press would glom onto it,” she said. “I went to dinner after the Super Bowl with Matt and I laughed about how I’d made myself into a Trivial ­Pursuit question: ‘In 2011 what female singer flubbed the lyrics to the national anthem?’” The weirdness was compounded by a bizarre incident that had happened a few weeks earlier, when Rutler and Aguilera attended a birthday party at ­actor Jeremy Renner’s house. “Matt was the one who was ­invited—I went as his girlfriend,” ­Aguilera recalled. “It was an open party, and everyone was spread out all over the house. At one point I sat on the edge of a bed. It was a guest room. But it only takes one person to start the negativity, and then everyone wants to hop aboard and continue the story.”
The story, according to Renner, was that Aguilera climbed into his bed. He insinuated that she was intoxicated or cuckoo or both. Questions about her sobriety and ­Rutler’s negative influence reached a fever pitch when, in February, Aguilera tripped and nearly fell to the ground during a tribute to Aretha Franklin at the Grammys. There were too many surprising, inexplicable mishaps: People assumed she was drunk or falling apart or desperately in need of an intervention. “I know what everyone was saying,” Aguilera told me. “And during that Grammy moment, when I nearly collapsed, I was thinking, Are you kidding me? I’ve always been really good with my heels. Even pregnant, I could perform in heels. Note to self: Never wear a train onstage. My heel got caught in my train, and if it wasn’t for Jennifer Hudson, who picked me up as I went down, I would have fallen to the floor.” Aguilera paused. “When it happened,” she continued, “it was just like, What else, God?! What else?! I threw my hands up in the air and started smiling, because what else could go wrong?”

Well…less than a month later, despite press accusations of bad behavior backstage at the Grammys and some understandable speculation that she was becoming a famous train wreck, Aguilera and Rutler were out to dinner at Osteria Mozza in West Hollywood, one of her favorite restaurants. They were celebrating the completion of her deal for The Voice, an American Idol–type show that pits all kinds of singers against one another. The Voice, which is based on a Dutch hit, has a unique twist: The judges—Aguilera, Adam Levine of the rock band Maroon 5, country star Blake Shelton, and Cee Lo Green, an R&B singer—sit in huge chairs with their backs to the performer. By not looking, they can’t be influenced by the aspirants’ appearances or how they move—the judges’ decisions are solely based on how the contestants sound. If the judges like what they hear, they press a button and their chairs turn to face the stage. Each professional then picks eight singers, whom he or she will mentor. As the season progresses, the chosen singers compete with one another in a sort of battle of songs, and the winner will be crowned The Voice.
“I’ve never watched an entire episode of American Idol,” Aguilera said, explaining her initial resistance to The Voice. “It’s too mean. Why would anyone want to go on a show to be ripped apart? I don’t want to be tough with my singers, but I do want to tell them on The Voice that if you really want this, you’ll be kicked when you’re down. You have to be willing to roll with those punches. You have to really want it.” As an ambitious nine-year-old, Aguilera competed on Star Search, performing “Sunday Kind of Love.” She lost in the semifinals. “Do we even remember who I lost to?” she joked. “At that age, I always sang songs meant for older people. That fit my personality—I had pain to sing about. If there had been a show like The Voice, I would have gone on it. It would have been amazing to be coached by a mentor.”
Instinctively, Aguilera must have realized that this TV show would be good for her flailing career. It was smart: The Voice reminds audiences of what she does best, which is sing. The judges perform and are also depicted as calm, sane, passionate, and experienced. That gravitas was missing from Aguilera’s recent profile.
Excited about The Voice, she and Rutler were feeling optimistic. On the way home from their March 1 celebratory dinner, Rutler, who was “driving erratically” at 2:45 a.m., was pulled over. Allegedly, he was drunk, although it was later revealed that his blood alcohol level was .06, well under California’s legal limit of 0.8. Nevertheless, the police arrested Rutler and Aguilera, whom they claimed was “extremely intoxicated.” Both were fingerprinted, photographed, and put in jail overnight. As awful as this incident was, it may have been a turning point for the good: The case against Rutler was subsequently dropped for insufficient evidence.


“It never should have happened in the first place,” Aguilera told me. “The police knew my recent history and wanted to jump on the bandwagon. I don’t mean to martyr myself, but I think I was a victim of celebrity. I don’t drive, I wasn’t driving, and I committed no crimes, but they put me in jail. They called me a ‘political hot potato.’ They said, ‘What are we going to do with this woman?’ I think they were bored that night.”
Aguilera paused. Eight weeks after her false arrest, The Voice premiered to huge numbers, scoring 11.8 million viewers. The audience increased for the second week of the show, making it the No. 1 program of the night among adults 18 to 49—the most coveted demographic in television. The success of The Voice has quieted many of Aguilera’s critics and has given her year of woe a happy ending.
And yet, Aguilera’s public mishaps and extreme behavior have actually been good for her career. The pop-star narrative demands intrigue and reversals of fortune. America likes its icons—especially ones like ­Aguilera, who have grown up in public and been famous for years—to be both pristine and tabloid ready. It’s an odd extension of the Madonna-whore complex rewritten for celebrity culture: Pop stars should be pure phenoms who never age or reveal their imperfections, but they must also be provocative enough to stay interesting to an increasingly fickle, restless, and media-obsessed audience. Without bumps in the road or some kind of personal drama, a pop star is easy to forget. Which is why, for instance, the squeaky-clean Jonas Brothers were followed by the squeaky-clean Justin Bieber. Unless Bieber gets arrested soon, he will be replaced by Greyson Chance, a youngster on the rise.
From Sinatra to Elvis to Madonna to Aguilera, stardom is a ­balancing act between light and darkness. Unlike actors and actresses who are ­defined by the parts they play (parts that are written for them), pop stars must invent themselves. They may have help from managers, producers, publicists, and stylists in shaping that identity, but the relationship between a singer and her public (Gaga and her “monsters”) is more direct than it is with an actor. For someone like Aguilera, talent is important, but an instinctive understanding of the American fascination with personality, with failure and redemption, is crucial to a long career. Falling on the Grammys stage may have been the best thing to happen to Aguilera. That is, as long as she picked herself up.
“I really admire all the greats,” Aguilera said. “They’ve had their ups and downs during their careers. And I would never go down without a fight. I still have my eyes on the prize: I want to be that old lady onstage shaking her hips and singing her greatest hits.”



http://www.wmagazine.com/celebrities/2011/07/christina-aguilera-cover-story#ixzz1cYAKg3ga



http://www.wmagazine.com/celebrities/2011/07/christina-aguilera-cover-story#ixzz1cYAKg3ga
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Noć vještica






Još fotografija: Christina Aguilera: Pirate at Maroon 5 Halloween Party!
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Christina Aguilera Secret Potion

Reklamni spot:

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Star 24.10.2011.

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tnx lildevil
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28.12.2006., četvrtak

COSMOgirl

Opet je riječ o scanovima. Ovo je inače Cosmo iz Indonezije.
Rado bih vam objavila prijevod objavljenog teksta kad bih ga znala prevesti. Ako slučajno ima netko tko zna, neka mi se javi.rofl
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Najinspirativnije osobe u 2006

Tinejdžerice u Velikoj Britaniji su izabrale u magazinu Suger osobe koje su ih najviše inspirirale u 2006. godini. Xtina je odmah iza Kylie!!!

Najinspirativnije osobe u 2006.
1. Kylie Minogue
2. Christina Aguilera
3. Hilary Duff
4. Lily Allen
5. Charlotte Church
6. Kelly Clarkson
7. Britney Spears
8. Pink
9. Jordan
10. Coleen McLoughlin
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09.05.2006., utorak

Bliss (Velika Britanija)

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P.S=Kroz koji mjesec ću se aktivno vratit na blog scenu!!!!
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08.05.2006., ponedjeljak

MTV Movie awards 2006

Na nadolazećim MTV Movie awards nastupat će : Christina Aguilera, Ywllowcard, Kelly Clarkson...


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04.05.2006., četvrtak

How to be sexy by Christina Aguilera

Whatever look she's working, Christina Aguilera's style and attitude ensure she's always gorgeous. Here, the dirrty girl shares her secrets...

1 Break out from the mould.

When Christina appeared on the pop scene in 1999, she looked just like her chart rival Britney Spears. With blonde hair, baggy pants and crop tops, she was the clean cut girl next door. But it wasn't her. "I remember turnig up at a photo shoot and there was a clothing rack in front of me full of all kinds of floral and 'pretty' clothes," she says now. "And I was like, 'This is VERY not what I to be! It's not me!" Christina rebelled against the 'cookie-cutter' pop star pattern, creating her own image - and an icon was born.

2 Be Confident.

Christina's fought the diva rep for years, but she's defiantly unapologetic. "It's OK to be confident and have opnions," she says. "And as a girl, it's really important to remind yourself of that." Christina does things her way and admits her self-assurance ramps up her apeal. "Once you exude confidence, guys catch on!" she says, laughing.

3 Make your own decision.

At the star of her career, Christina faced heavy pressure to be a pop puppet. "People try and tell you what you should do, how you should act and what you should wear," she explains. "But by that point, I had enough hits under my belt that I was like, 'Alright, let's do it my way now!'" The minute Christina started to do her own decisions, she became a lot more credible. Using your brain is sexy!

4 Ignore the critics.

When Christina was to her high school prom, the DJ put on her debut single, Genie in a Bottle. And all the class cat (seething with jealousy of course) marched off the dance floor. But it didn't stop Christina. Nor did being slammed by the critics for her raunchy Dirrty video. "How you feel about yourself is all that matters, not how other people feel about you," she says, firmly. Christina put this mantra to music with Beautiful, her powerful message about what's sexy.

5 Use your power.
"Since when well-behaved women made history?" laughs Christina, who believes sexiness is all about being a strong person. "Making a statement about who you are and being comfortable with that - that's power to me." And like her ultimate pop idol, Madonna, she's aware that being feisty is definitely how to get people to notice you - wether they like you or not.

6 Experiment with your look

Christina's never done what's being expected to her - especially when it comes to fashion. From leather haps to afro wigs to classic glamour, she loves trying out looks and doesnt care about following the crowd. "The fashion world can be so cliquey and people wear clothes just because of the label, which is stupid," she says. "I'm not conservative - I like things to be edgier." By keeping it fresh, Christina keeps everyone interested.

7 Love your body.

"Society has created this image of what is the perfect girl, like there's a certain body type that is the right thing," she says, passionately. "But I wish women would be proud of their bodies - the female body is so beatiful." Petite Christina's no supermodel - she's weeny 5ft 2in - but she's happy with her figure. "When I look in the mirror I'm comfortable with what I see. Whatever size or shape body you have, it's important to embrace it."

8 Get glamorous.

Christina's curret look is all about old-fashioned Hollywood glamour - with her ultra blonde hair, red lipstick and sophisticated outfits, she's inspired by movie icon Marilyn Moroe. "I look at snaps of Marilyn, and it puts me in the glamorous, sex-kitten mood," she explains. And like Marilyn, Christina makes the most of her new style by combining it with a killer pose. "Hold your head high and sway your hips when you walk," she giggles.

9 Let love in.

After growing up with a father who was abusive and being cheated on by a past boyfriend, Christina was cynical about relantionships to say the least. "I thought love was kinda corny," she said. All that changed in 2002 when she started dating music executive Jordan Bratman, who she met through her manager. The couple got married in November last year. "Through all my transitions, he has stood right by me, supporting me all the way," she says. "Our love has made me a stronger and better woman - I totally feel a glow." And in Jordan, Christina's found a man who's not threatened by her foxy image... "He's never told me not to wear somethings," she gushes. "He says, 'You're sexy, show it off!'"

10 Be yourself.

Christina stands out and she's popular because of that. She has maintained her unique sex appeal by remembering the most important thing - to be true to herself. The 25-year-old superstar prides herself on "being totally honest" in every aspect of her image and her music career. "You can take it or leave it, but I'm not going to change, not for anyone," she says. Too right, missus.
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03.05.2006., srijeda

Xtina Ain't Got No Other Man

Christina Aguilera pomaknula je datum objave njenog novog albuma "Back TO Basics" za kasno ljeto ili početak jeseni. Iako sam Xtina nije htjela puno toga reći o nadolazećem albumu, producenti albuma otkrili da fanovi mogu očekivati pjesme koje će na na sasvim novi način odati počast prošlim vremenima. Linda Perry, jedna od producentica tako je rekla:"It's a very mature, very risky album of old-school jazzy blues. You're gonna think that these songs were recorded and written back in 1940."
Također je otkrila da Nas gostuje na albumu u pjesmi zanimljivog naziva "Still Dirrty"(jedva čekamo taj video), a da Big Boi iz Outkasta gostuje na remixu prvog singla "Ain't No Other Man."

P.S= Gost u videospotu Ain't No Other Man je Tonyem i Emmyem nagrađen Ben Vereen!

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21.04.2006., petak

ELLE (UK) travanj

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20.04.2006., četvrtak

The "What's In a Name" Contest

Free Image Hosting at www.ImageShack.us Xposed is now one year older, one year wiser. 2006 is shaping up to be an exciting year for Christina and her fans with a new album on the horizon. As Christina continues to reinvent herself and expand her musical and personal style, Xposed will too. So, in keeping with this tradition, we are giving YOU the chance to rename the fan club! We have had a good run with the Xposed name, but it's time for a change. So put your creative side to work and help come up with a new name for the fan club that Christina would be proud of.

To enter, please email us at contests@xtinaxposed.com with your name, mailing address, phone number, birth date and your ideas for a club name by April 30th. Include "What's In A Name Contest" in the subject line of your email. We will pick the top three best submissions and allow you to choose the winning name through an online poll. Please only one email per member. You may submit multiple names in your email.

Grand Prize: Christina's poster from the Aldo Youth Aids campaign and a copy of her new cd, both signed by Christina.
Two Runner Up Prizes: Xtina hoodie.


Grand Prize: One (1) winner will be chosen to win one (1) signed poster and one (1) signed cd. Approximate retail value ("ARV"): $60.00.
Runner Up Prize: Two (2) winners will be chosen to win one (1) Xtina hoodie jacket. Approximate retail value ("ARV"): $45.00.

* * * * * * * * * * * *

RULES:

How to Enter: No purchase is necessary to enter the Contest. The Contest will be announced on the Xposed web site, www.xtinaxposed.com and in certain cases members will receive e-mail announcements of the Contest if they request such announcements. Members of Xposed may enter the Contest by the simple online click procedures available on the Xposed web site. All non-members may enter by mailing a 3" x 5" postcard containing the individual Contest name or number, which must be exact, your name, home address and telephone number or e-mail address and date of birth to Xposed Contests c/o Musictoday P.O. Box 1911 Charlottesville, VA 22903. Any error or omission in the information on the card will void the entry. Limit one entry per person. By participating, all entrants agree to abide by these Official Rules.

Eligibility: The Contest is open to legal residents of the United States who are 16 years of age or older. Proof of age may be required. Employees of Azoffmusic Management ("Azoff"), Musictoday, Inc. ("Musictoday") and their respective affiliates and members of such employees' immediate families or households are ineligible to participate in the Contest.

Entry Deadlines: All mail-in entries for the Contest must be postmarked on or before midnight EST on 04/30/06. Three (3) winners will be chosen by Christina Aguilera or Musictoday, Inc. and notified by May 1, 2006. The Grand Prize winner will be chosen in an online poll determined by the fan club members.

Winner Selection and Notification: The odds of winning are dependent upon the number of eligible entries received. Neither Xposed member online entries nor mail-in entries shall be given any preference over the other in the conduct of the drawing. All drawings will be conducted under the supervision of Musictoday. The decisions of Azoff and Musictoday are final and binding in all matters relating to the Contest. Any attempted second entry shall be discarded and the entrant may be disqualified from the Contest at the discretion of Azoffmusic and Musictoday. Entries are the property of Azoff and Musictoday and will not be returned. Entrants need not be present at the drawing to win a prize. Winners will be notified by email. If a winner cannot be reached after a reasonable effort has been made, or if an entrant is found to be ineligible, an alternate winner may be selected. Winners will be selected from all eligible entries received. Winner will be required to sign and return a release and affidavit before claiming prize.

Rules/Winners List: A list of winner's names may be posted on the web of each drawing. To receive a copy of these Official Rules or the list of winner's, send a self-addressed stamped envelope to: Xposed Contests- Winners List, P. O. Box 1911, Charlottesville, VA 22903. Specify "winners list" or "rules" on your request. WA and VT residen
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19.04.2006., srijeda

Barbra Streisand hooks up with Aguilera


Barbra Streisand is looking at hooking up with a string of A-list stars for a new duets album – one of whom is chaps-wearing Christina Aguilera.

Christina told me: "It's at a very early stage but we're in talks. She's my idol and I admire everything she does with her career."

Babs is also looking at such stars as Antonio Banderas, Sting and Celine Dion. Look out for the album later in the year.

Izvor:Sky
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Aguilera, Maxim's Hottest Woman Alive?

Tonight is the BIG BIG Maxim party and our spies tell us that the one and only Miss Christina Aguilera is going to be the surprise celebrity guest. Oops, guess it's not a surprise anymore! Plus, our sources at the magazine tell us that Maxim is set to anoint the Dirrty singer their hottest woman alive! Desperate Housewives star Eva Longoria topped the list last year.

Cijeli članak na: http://www.perezhilton.com/topics/personally_perez/maximus_weekend_20060408.php
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18.04.2006., utorak

Christina Attended Harry Morton's 25th Birthday Party

Christina Aguilera, partying at a 25th birthday celebration for Harry Morton – the son of Hard Rock head honcho Peter Morton – in the penthouse suite of the Hard Rock Hotel & Casino in Las Vegas. Also on hand at the raucous party, where the KISS cover band Tiny Kiss performed: Jamie-Lynn Sigler, Taye Diggs and Shannon Elizabeth.

Izvor: People
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24.03.2006., petak

Mercedes-Benz Fashion Week (LA) - Agent Provcateur Fall 2006

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- 11:21 - Let´s get dirrrty (13) - Ne treba ti - #

23.03.2006., četvrtak

Malo o nadolazećem albumu

Back to Basics, out in June.

"I feel like I have been pregnant for eighteen months!" says Aguilera for how long it has taken her to finish the follow-up 2002's Stripped. Aguilera sees this disc as a modern update of the vintage jazz, pop and R&B she loved as a kid - artists from Billie Holiday to Odis Redding. Working at Chalice Studios in Los Angeles with beatmakers including DJ Premier and Mark Ronson, she went for a "throwback style using horn sample so it sounds gritty and old," she says. "But we've been able to splice it into something that people can still dance in the clubs."

Aguilera also teamed up with Linda Perry, her collaborator on Stripped. "We dove headfirst into a Twenties- and Thirties-era vibe," Aguilera says. "We have a song that sounds like you walked into a 1920s burlesque club."

On one yet-to-be-tittled track, Aguilera sings about losing a loved one on top of layered strings ŕ la "Eleonor Rigby". Other songs includes and Andrew Sisters sendup called "Candyman" and a ballad dedicated to her new husband tittled "Save me From Myself". Aguilera´s considering releasing the album as a double disk, though no concrete decisions have been made. "There´s a lot of stuff people haven´t heard from me before", she says. "On one song, Im just right above the mike. There´s no reverb. There´s no effects. There´s no belting at all - nothing."


Izvor: Rolling Stone



- 16:20 - Let´s get dirrrty (1) - Ne treba ti - #

15.03.2006., srijeda

Evo uspjela sam doći nakratko do kompa, i odlučila objaviti barem jednu vijest o Xtini!! Nadam se da će sve uskoro biti u redu sa mnom i da ću vas opet redovito obavještavati s novostima o najboljoj Xtini!

Do slijedećeg puta!!

Svima šaljem jednu veliku pusu!!
- 12:11 - Let´s get dirrrty (6) - Ne treba ti - #
Free Image Hosting at www.ImageShack.us Christina Aguilera potaknula je glasine kako je trudna nakon što je u interviewu britanskom časopisu Elle izjavila kako je trenutno u potpunosti posvećena svojim snovima da postane mlada majka. Dvadesetpetogodišnja glazbena zvijezda udala se prošle godine za Jordana Bratmana s kojim, kako sama istiće, namjerava podići brojnu i sretnu obitelj. "Uvijek sam znala da ću jednoga dana postati mlada majka. Kada ja nešto zaželim, ja to na posljetku i ostvarim", dodala je Aquilera.

Izvor: Nacional
- 12:07 - Let´s get dirrrty (1) - Ne treba ti - #

30.01.2006., ponedjeljak

Grammy

8.2.2006. godine Christina Aguilera će imati prvi javni nastup otkad je udana žena. To će biti na 48. dodjeli glazbene nagrade Grammy u Los Angelesu. Christina će nastupati zajedno s Herbie Hancockom.Podsjećam vas da je pjesma A Song For You jedna od nominiranih pjesama za najbolju glazbenu suradnju!! Ukoliko osvoji nagradu, to će biti 4. Grammy za Christinu.

- 19:16 - Let´s get dirrrty (22) - Ne treba ti - #

Zanimljive činjenice


Newlyweds PINK and CAREY HART's wedding rings, designed by British jeweller STEPHEN WEBSTER, feature the engravings 'Til Death.' Webster also created CHRISTINA AGUILERA's engagement and wedding rings last year (05).

EURYTHMICS star DAVE STEWART has a new partner - he's working on KARA DIOGUARDI's debut album. Dioguardi is the songwriting force behind ASHLEE SIMPSON's new album and upcoming hits by PINK and CHRISTINA AGUILERA.

Izvor : contact music
- 16:13 - Let´s get dirrrty (1) - Ne treba ti - #

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dirrrty or not

Opis bloga

Da svima bude jasno, jebe mi se živo što Vi mrzite Christinu
Ja ju volim- so kiss my ass
Za razliku od nekih, negativne komentare ne kanim brisati



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Linkovi

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Mail:dirtyxtina@net.hr



IME : Christina Maria Aguilera

SPOL : Žensko

NACIONALNOST: Amerikanka

DATUM ROĐENJA: 18.12. 1980.

MJESTO ROĐENJA: Staten Island, New York, USA

ZANIMANJE: glumica, prvenstveno glazbenica

OBRAZOVANJE : Ingomar Middle School u Wexford, Pennsylvania
North Allegheny High School in Wexford, Pennsylvania (maturirala 1999.)
Mickey Mouse Club


TATA : Fausto Aguilera (vojnik; roditelji rastavljeni)

MAMA: Shelly Kearns (podrijetlom iz Irske; violinistica, svira i klavir; predsjednica Christininog fanclub)

SESTRA: Rachel (mlađa; rođena 1986)

POLUSESTRA: Stephanie (mlađa)

POLUBRAT: Michael (mlađi; rođen 1996), Casey (mlađi)

OČUH: Jim Kearns

POČETAK KARIJERE: Hit singl Genie in a Bottle (1999)